4thletter!

A couple months back, I reviewed Infinite Crisis in “Graphic Audio” form. Graphic Audio is a company that takes books and turns them into jacked up radio plays. I didn’t know what to expect, but came out entertained. Luckily, there was more fuel for my ears in the form of Graphic Audio’s take on Greg Cox’s novel adaptation of 52.

Hm. Already, I could tell that this wasn’t going to be more of the same. Infinite Crisis and 52 are very different. Infinite Crisis was seven slightly-longer-than-usual issues, condensed. For the novelization, they had to add in bits from other comics from that time to pad out the story. The Graphic Audio experiment took an average story and transformed it into something pretty good. In fact, reader Illvillainy, who picked up the CD set based on my review, had this to say:

Granted my imagination had me envisioning Doug Mahnke doing, say 12 issues, of gorgeous art while listening to the CDs but going back to read IC afterwards and seeing 7 rushed and badly paced issues of Phil Jimenez trying to be George Perez with scrunched up layout and one page splashes was severely disappointing. The audiobook wasn’t perfect but it made me like the idea of IC a hell of a lot more.

52 is another beast entirely. The quality was far superior on all fronts and due to lasting 52 issues, the story was more decompressed. Well, maybe “decompressed” isn’t the best word for 52. It’s just that there were so many subplots going on that if you were reading it for one of them specifically, you could go at least a month without an update. I cared about all of them to at least some extent, so I was cool with it. Though, really, I was mostly in it for Booster’s storyline.

Read the rest of this entry �

I can’t stand Cassandra Cain.

This is especially painful for me, because I adore Batgirl in general, and enjoyed Cass in particular for quite some time. I loved her incredible skills, her competence, her strong morality and her unquestioning look at life. In a world full of characters who dissect every part of their lives her devotion, body and soul, to the mission of saving lives was refreshing and touching. I also liked her for her weaknesses. Unable to read, hardly able to speak, Cass was constantly trying to make others understand her situation, but was unable to communicate it. Because of this, it was surprisingly easy to identify with her. Don’t we all get tongue-tied at the most inappropriate times? Don’t we all find ourselves frustrated when we try to convey the entirety of an experience to someone who doesn’t understand our enthusiasm?

The current Cassandra Cain speaks fluent English, as well as at least one other language. She can read, she can write. Unfortunately, her ability to read body language has been lost, as well as a great deal of competence. Her morality has completely changed. This was a girl who walked away from everything she knew the night she understood that she was being trained to kill. Now she wants to kill her own father, as well as a few ex-accomplices. It feels, to me, as if this is an entirely new character, who happens to have the same name.

This kind of change is not rare for comic book characters. Different story arcs, different creators and, in the case of long-running stories, different eras, all change a character’s personality. I understand this. Still, nothing quite soothes the sting of having one of your favorite characters turn unrecognizable. Ah, how fans suffer.

My question is - when do you give up? At what point do you accept that the character you loved is no more, will never return, and it’s time to curl up with a stack of your favorite back issues and never glance at continuity again? Share your stories of the characters you loved and lost, and when you knew it was time to throw in the towel.

I’ll be in the corner, waiting for the end of the Crisis and hoping for a retcon.

Mortal Kombat vs. DC Universe, still shockingly not some kind of prank, is coming out next month. They announced the final roster a few weeks back, sadly shafting the epic Johnny Cage vs. Booster Gold rivalry we’ve been craving, but other than that, the news has been pretty slow. For the most part, Midway would occasionally release a picture of Raiden pointing at something in a cutscene or something just as trivial.

Recently they brought up two interesting little news items. First off, the collector’s version of the game has its own special box art, drawn by Alex Ross.

There is something so surreal about seeing the Mortal Kombat characters done in Alex Ross style. I also like Liu Kang’s pose there. He’s like “Hey! See my fist? This fist? It’s for YOU!” Then you have Raiden saying, “Ugh. I can’t believe you’re wearing those shorts with that shirt,” and Sub-Zero has a case of Liefeld Eye. Despite that, it’s cool shit.

There’s been a video released about the MKvDC comic that also comes with the collector’s version of the game. The art is done by MK co-creator John Tobias, who has been out of the franchise’s loop for years. To this day, the man’s art still holds up.

When you go to about 2:27 in, you get some nice images of the game’s final boss: an amalgamation of Darkseid and Shao Kahn.

Conceptually, it’s a stupid idea. Personally, I would have rather liked it if Quan Chi used his sorcery BS to make himself the host of the Spectre. The surprise here is that visually, Darkshao Kahnseid looks pretty damn badass. You’d think they they would have gone lazy and put Darkseid in Shao Kahn’s clothes or something like that.

Instead you have a demon made of stone (Darkseid) mixed with a skull face and spikes (Kahn) and some evil, glowing energy to add to the aura. It’s a nice touch, honestly. Looks like a cross between Doomsday and Brimstone.

It’s weird how opposite this whole game is to the Marvel vs. Capcom franchise. In terms of game quality, the winner goes to Capcom. Comparing Street Fighter to Mortal Kombat is like comparing Rocky to Rocky IV. Street Fighter is more legitimate and loved by the hardcore, compared to Mortal Kombat’s cheesy fluff. That’s not to say that MK isn’t loads of fun in its own way.

Yet MvC never embraced the crossover. Occasionally they tossed us something like Hulk talking to Blanka, Mega Man stealing Onslaught’s power, Psylocke saving Cammy from Hand ninjas or Gambit flirting with Morrigan, but it was still fairly minimal. By their fourth and final game they just tossed a bunch of characters into the game and figured that was enough. Not only that, but Marvel did nothing with it on their end. No comics or promotional stuff.

Look at what Midway and DC are doing with this. One of comics’ top artists takes to the game’s cover. Two of DC’s writers write the story for both the game and the comic, which is illustrated by one of MK’s creators. I’m sure the game’s cutscenes and endings will feature plenty of Easter egg appearances and references here and there.

The MvC games may be more playable, but you have to give the style points to MKvDC here.

By the way, to all the people gritting their teeth at Superman and Captain Marvel getting beaten up by guys like Kano: where were you when a little schoolgirl was kicking the crap out of Thanos, Apocalypse and Shuma-Gorath?

Oh, Batman. Is there no end of your willingness to fight the good fight on behalf of all Americans.
(from batman #02)

Another amazing early Batman short.

(from batman #05)

Thanks to SomethingAwful forums user snackmar for these scans. They’re absolutely nuts. Gavin hooked me up with this Superman page that he described as “one of [his] all-time favorite Superman moments.” It’s from Superman: Sunday Classics from 1941.

It looks like there’s a new Supergirl in town. Or maybe it’s the old one. Tough to say. In December, DC -will be publishing Supergirl: Cosmic Adventures In The Eighth Grade.

The preview pages on Newsarama show that her kryptonian name is still Kara, but the solicit states that Supergirl will be known as ‘Linda Lee.’ This comes just after issue thirty-four of Supergirl, which establishes Kara’s civilian name as ‘Linda Lang.’ It could be that DC is trying to establish some continuity to the character, or perhaps they have a long term goal of shoring up the extremely uneven Supergirl series with an influx of younger readers who, having presumably gotten past eighth grade, will graduate to a heroine with more drama and fewer clothes.

Either way, the new Supergirl looks very cute. If the book turns out to be any good, I’ll be reading two Supergirl books and have to turn in my Batfan credentials.

I wonder what Catwoman would think of my catsitting skills.

Variety reports that because of the success of Smallville and, I’m thinking, the death of the last executive to okay the Birds of Prey series, the CW will be ‘prepping’ The Graysons, a story about a young acrobat in the years before he will become Batman’s sidekick.

That’s right. You know him, you love him, and his name is . . .

Read the rest of this entry �

I was pleased to see Kevin Smith returning to the DCU, with Batman: Cacaphony. Smith’s style is wordy, distinct, and irreverent, and I look forward to seeing him injecting a little humor into the Batverse. I’m also happy to see that Onomatopoeia, the Green Arrow villain, will be returning. Onomatopoeia has the right set of characteristics for a comics villain; a superhuman set of skills, a recognizable goal, and a quirky gimmick.

The only thing that bothers me about Onomatopoeia is that he fits too well with the villains we see these days; he’s deadly, he’s more out to get the superheroes than to commit crimes that might benefit him personally, and he’s the best, baddest villain ever. Poison Ivy moved from thief and environmental terrorist to random sadist and mass murderer with the powers of Swamp Thing. Two-Face now knows how to spar and goes on random killing sprees. Even Croc manages to do a lot of damage. Damian kills off villains and beats up Robin. Talia manages a national web of terrorists. And Hush - don’t even get me started on Hush.

There seems to be an unfortunate rate of inflation going on in comics. No more talented bank robbers or minor thugs. Everyone has to be the biggest, baddest, darkest, most formidable opponent Batman has ever encountered. It’s not that I don’t understand that it looks a little silly to have Batman go from a life-altering confrontation with the Black Glove one month to chasing down a safe-cracker the next, but it would be nice to see some variation.

Most people have heard of the Green Arrow movie by now. It’s not called Green Arrow, and the hero doesn’t have the Green Arrow costume, and he doesn’t fight any costumed criminals, and the people he does fight aren’t on the street, they’re in a prison, and he is, too, and just before they put him away for life, they shave his goatee.

This pretty much sounds like they’re hanging on to the concept of the Green Arrow comic with one pinky and a whole lot of optimism. I mean, taking away his beard. Really? For one thing; that’s low. For another; they want us to believe he’s incarcerated in the ultimate prison designed for the worst offenders in the world, but they still give the prisoners access to razor blades?

In the end, though, I don’t much care if Ollie never wears the suit, or runs through the streets shooting arrows. I do, however, want to see him stand up during one of those tense communal meals, the ones where you wonder if someone is going to get a shiv to the neck, and give a big speech on the politics of the prison system in this country. And I want to see his fellow inmates roll their eyes and keep eating. Because that’s who Ollie is; the liberal idiot.

When I say idiot, I don’t mean it as a comment on the extremism of his politics, because that would be meaningless. Everyone who is or has ever been liberal has experienced a moment when you look to the person to the right of you and think, ‘You’re not really a liberal,’ and then look to the person to the left of you and think, ‘Yeah. Come back to earth, Moon Unit.’ Ollie is neither of those people. He’s the guy who is standing opposite the three of you and making a long speech that makes all three of you yell ‘Shut up,’ even though all three of you agree with him. He’s the guy in the coffee house, stroking the thigh of a girl fifteen years younger than he is and saying, ‘The concept of marriage is completely a tool of the patriarchy. I love that you see through that.’

Oliver Queen is a liberal idiot. He’s always injecting politics into every situation. He makes a point of positioning himself as not only right, but righteous. He identifies with the little guy, the poor, the weak, the underdogs, while he’s a billionaire vigilante, highly trained in martial arts. He’s much more principled politically than he is personally.

He’s also a dedicated political activist who puts his money, time, and effort where his mouth is.

Green Arrow emerges from all of these contradictions as a gloriously fun amalgam of the liberal movement; its inappropriateness, its shaggy, swaggering machismo, its self-righteousness, and its moments of great achievement. If the filmmakers are going to toss out the green hoodie, I hope that they at least keep that.

I don’t care if this clip is over a year old. I just discovered it and I can’t get enough of it.