Due to extenuating circumstances, I wasn’t able to do ThWiP last week, so it’s been accumulated into this week’s update. For last week’s picks, I’m disappointed in David for choosing that specific Avengers Academy panel when the true honors should have gone to Reptil asking a disgruntled Cain Marko if he can say, “Nothing can stop the Juggernaut!” for his amusement. Was Taters rejoins the show once again, unable to choose between panels for Superman/Batman, so we went with both.
Warning: there is something really fucked up going on with Hal Jordan’s hands in the Legacies image and you won’t be able to stop yourself from staring at it.
Action Comics #892
Paul Cornell, Pete Woods, Pere Perez, Jeff Lemire and Pier Gallo
Age of Heroes #4
Elliott Kalan, Brendan McCarthy and others
One minor thing in comics I’ve been digging in the past couple years is the “This Year in _____” pages that come out of the first issue. We haven’t had too many of them, but they’re pretty memorable when we do get them. For instance, Batman and Robin #1 featured a final page that depicted such things as Damian leaving in a huff to work on his own, Red Hood with a new sidekick, Batman and Batwoman fighting it out while Bruce Wayne Batman rises from the Lazarus Pit and a foreboding image of Doctor Hurt holding up the keys to Wayne Manor. All of these happened, as should be expected.
It’s probably one of the coolest concepts Geoff Johns has brought to the table in recent years and I say that knowing full well about his space cat that pukes acid blood powered by hate. When you start out a new series, it’s tough as is. Even if you have big plans several issues down the line, you have to win over the reader with both the first story and – more importantly – the contents of the first issue. This is more of a pitfall of Marvel, as their series tend to get cut to pieces by the fifth or sixth issue. Sorry, Jeff Parker. I think the teaser pages could really help some comics succeed in the long run. DC gave Magog a full twelve issues before finally cancelling it. It wouldn’t have hurt to get Giffen’s opinion on four developments planned that could have been exciting enough to bring up. Like a panel of Magog… uh… teaming up with the Shield? And the time he… um… Wait, I got this one. When he… Did I mention the Shield team-up? Okay, as much as I liked the series, maybe Magog isn’t the best example, but you know what I mean.
As far as I know, there have been four instances of the teaser pages, but feel free to correct me. There’s the aforementioned Batman and Robin #1 as well as Justice Society of America #1. I don’t read JSA, so I’m not going to talk about it in-depth, but I’ll touch on a little something later. The other two come from the same book, Booster Gold. Now that it’s moved to its latest creative team, I think now’s as safe a time as any to look back at what we were promised by Geoff Johns and Jeff Katz. Here we go, looking at the past about the future that’s become the past about a new future of a character from the past who came from the future. Sorry, what were we talking about?
Computer’s back, I’m rested and I’m ready to go back to writing.
Since I’ve been internetually neutered for the past several days, here are things I’ve spent my spare time on:
- Watched the first half of Season 4 of the Wire. God, what a show. I really need to finish it over the next week.
- Started on Hickman’s Fantastic Four already. Key word is started. I read the Dark Reign miniseries. That’s something, at least.
- Read all of Scott Pilgrim, saw the movie and downloaded the game for Xbox. Fun shit all around.
- Read through the trade Dark Reign: The Underside, which features Lethal Legion, Zodiac, Mr. Negative and the one-shot Made Men. I remember initially picking it up because I heard some good things about Joe Casey’s Zodiac and it was definitely an interesting read. It gave me a notion that I ran through Twitter that got two reactions. cyberpilate retweeted it, which I take as an endorsement. It basically made Chad Nevett vomit a little in his mouth, which I take as the opposite of an endorsement. I figure it’s worth mentioning here at the very least.
So Zodiac is about Zodiac, who at this point can best be described as Marvel’s attempt at a Joker. While we do see his rather normal-looking face under his black hood, we know absolutely nothing about his background. He’s a murderous nutjob who loves him some chaos and revels in everything criminal. He’s violent, charismatic and one step ahead of everyone. With Osborn in charge of everything, Zodiac takes offense and uses his resources to strike against him. He comes out of the story completely unscathed and undiscovered, which works because as long as Osborn is the antagonist, you can still accept Zodiac as a twisted protagonist.
But what now? He just appeared in a two-page scene in Age of Heroes for no reason but to remind everyone that he’s still a concept in hopes that he doesn’t fade into obscurity. He makes mention that he’s going to challenge the Heroic Age, but is that really going to work? Can his stories work in the same ballpark when he’s after someone like Steve Rogers? I get the bad feeling that he’d go in the direction of Prometheus. He’d be worth one good storyline, then get nerfed and gummed up by every other writer.
One of the biggest complaints I’ve had about Deadpool for the past few years has been that he has no rogues. T-Ray has become worthless. Ajax existed to be killed. Black Swan was more of a plot device for the sake of giving us Agent X. Everyone else he fights is either borrowed from another hero or is going to be dead by the end of the story arc. The latest issue of his core series seems to be building towards giving him some kind of big bad (possibly the man responsible for his cancer), but who knows how that’ll turn out.
What I’m trying to say here is that Deadpool vs. Zodiac should be a thing. They should be archenemies. I think there’s a lot of potential in that pairing. Deadpool is a middle-of-the-road guy who doesn’t know whether he should be acting heroically or killing the person next to him at any given moment. Zodiac is ultimately Deadpool without any redeeming human qualities. In comparison, he makes Wade look like Spider-Man. It’s Venom/Carnage, but with mind games attached. Deadpool does heroic stuff on the down-low all the time and never gets recognized for it. Zodiac does horrific stuff on the down-low and goes out of his way not to be recognized for it. They could do a whole series of stories clashing against each other without the larger Marvel Universe having any idea what kind of secret w– …set of battles is going on. All while Zodiac tries to get Deadpool on his payroll.
A good villain is someone who could make the hero examine himself more clearly and in this case, this is what Zodiac could be made for.
So bad news on my front. My computer is dead (murdered! Moltar, serve the first course!) and I won’t be getting it back until Tuesdayish. Since I can’t do any meaningful updates off my Droid, tomorrow’s This Week in Panels will have to be merged with next week’s edition.
Tonight we have what I guess would be considered the WWE’s third most important show of the year, Summerslam. I mean, on paper, it’s supposed to be the secondary Wrestlemania, but everyone and their imaginary friend loves Royal Rumble more. I look forward to the show despite the roadblocks it sets up. There are only six matches signed. One of these matches is a throwaway Divas match I couldn’t care less about. One of the championship matches is Rey Mysterio vs. Kane and while I love Kane and don’t mind Mysterio, I don’t need to be reminded of their abysmal, “Is he alive or is he dead?” feud.
So why am I so jazzed about the show? Team WWE vs. the Nexus in an elimination tag match. The Nexus has been one of the better wrestling storylines in past years, despite its own set of roadblocks (Daniel Bryan/Bryan Danielson being fired, Wade Barrett’s visa problems, Ricky Steamboat’s injury). I can only hope the storyline doesn’t get killed as of the end of Summerslam, yet at the same time, I don’t want them to last long enough to get destroyed by a returning Triple H. God, I really don’t want to see Triple H involved with this in any way.
For those new to the big main event, here it is laid out DC Comics style.
That’s one of the earlier episodes, admittedly before they really hit their stride and got good production values. Awesome Video Games is an internet series brainchild of Fraser Agar. There’s a good possibility that you’ve already heard of the series, but I only got into it recently, so to hell with it. Awesome Video Games is basically a parody of all the live action video game ads, promotional VHS tapes and TV shows from the late-80′s/early-90′s. Back when everyone who played video games was depicted as a totally radical dude with sunglasses. You know, like these guys from the Game Boy comic.
The show stars happy-go-lucky skater idiot Chet and his even stupider and more childish brother Ace. The two are a mix between Bill & Ted, the villain from The Wizard, the host of the Gamepro TV-show and basically every incompetent contestant on Nick Arcade. As they preview and review the newest titles for the Nintendo Entertainment System, they’re usually accosted and annoyed by their father Dad, who mixes aspects of everyone’s father merged with a vaudevillian charm. Often, he’ll scream at them to take out the trash, even — as shown in that above clip — if it’s in the middle of the night for some reason. A lot of the time, he’s there for Chet to point out that parents just don’t get it.
Although they have a zest for gaming, the duo are absolutely horrible at it and have no idea. It isn’t that they’re just bad gamers, it’s that they rarely understand how to even play the game in question. They think that Duck Hunt is about protecting ducks and performing cover fire to defend them from the sinister dog. They’re stoked when a fan letter tells them that there’s a secret SECOND level of Super Mario Bros. that you get to by not turning off the game when you get to the first castle (“No wonder it’s so hard to find. It’s underground!”). And man, I can’t even put their concept of Double Dragon’s gameplay into words.
Hours into discovering Awesome Video Games, I found that they’ve released a DVD of the show, featuring the first 43 episodes (excluding the Christmas specials) and with three additional episodes never released for one reason or another. Also, it has a ton of bloopers, some deleted scenes, commentary, some seriously high-quality animated menus by Retro Mike and a crapload of other extras. I found the whole concept of the show so fresh and entertaining that I felt the need to support them. See also: this post.
To further spread the love, here are some of the better episodes:
Gyromite: As Dad shows he’s a bigot when it comes to the game’s “greedy smicks”, the boys discover a newfound robot friend ROB to help them beat the game. ROB continues to screw up again and again, begging the question: is ROB more sinister than he appears? Short answer is yes. Meanwhile, a new dance craze sweeps the nation.
Game Genie: A very special episode. Ace and Chet’s shady cousin Lester visits and gets them hooked on codes. Sure, it may get their scores high and bring them to the next level, but it’s still an irresponsible gateway into a downward spiral.
Bad Dudes: To help rescue the NES game’s president, the boys dress in the coolest outfits they can find, thereby making Ace extra punchable (in the outtakes, the guy playing Chet is doing all he can to not tear his face off in a fit of rage). Their enthusiasm for badness starts to concern Dad, who wonders if they’ve been behaving wrongly behind his back. COMPLETELY UNRELATED, “the government himself” calls up the boys to see if they truly are bad enough to save the president.
Sonic the Hedgehog: In a remake of sorts of the first couple episodes, Ace and Chet are as excited and inept when it comes to Sonic the Hedgehog and the brand new Sega Genesis as they were with Super Mario Bros. and the NES. But man, the Green Hill Zone his HARD!
Welcome to a very special Too Much Goddamn Deadpool Edition of ThWiP. Why too much? Even though I didn’t even read Wade Wilson’s War this time around? Simply put, Deadpool #1000 has way too much going for it for me to choose a single panel, so I figured I’d give a spot to all eleven of its stories. Adding that to an already stacked week and we have a hefty set.
Avengers Prime #2
Brian Michael Bendis and Alan Davis
Mark Millar’s in the news due to how his comic Nemesis is officially being turned into a movie. That’s good a reason as any to talk about him. Usually when his name comes up on this site, it’s David cursing his name for saying or writing something stupid. David does not like that guy. I see Millar in a different light.
As a writer, Mark Millar is an extreme mixed bag. His stories are filled to the brim with lots and lots of ideas and it’s a crapshoot on which ones are going to be good and which ones are going to be bad. Most of the time, the bad overshadows the good. Sometimes the contrast causes the story to implode upon itself. Though sometimes it’s also the lack of real substance outside of, “Here’s some crazy shit!” that does that.
It’s telling that two of my favorite Millar stories are Red Son and Civil War (the miniseries itself, not the event). Morrison had a hand in Red Son, giving it an ending that really glued the whole story together. Civil War became more interesting after seeing Tom Brevoort post Millar’s original idea for the series before Brevoort had to play damage control. No pun intended. Millar’s original concept involved killing off Happy Hogan and Pepper’s non-existent child, having Thor come back as part of the series and including Hulk’s return from space as something everyone teams up against. One of the ideas with the Hulk part was that Hulk had so much space poon that the superheroes are challenged by an army of Hulk babies.
I find it funny that the unused Hulk babies idea became one of the bigger ingredients for Old Man Logan later down the line.
Millar belongs to the pantheon of writers who really need a filter of some kind or their writing reaches unfortunate levels of insanity. Other members of this club include Jeph Loeb, Vince Russo and John Kricfalusi. Granted, I hold Millar in higher regard than the rest.
A while back, my brother Geremy directed a music video for “The Dog Days are Over” by Florence and the Machine. You might recognize that song as the one that plays in the ads for the movie Eat, Pray, Love, the TV show Covert Affairs and a handful of other things. Considering you’re reading this very site and you definitely aren’t the Eat, Pray, Love type, here’s the video to jog your memory.
So why am I bringing this up? Because I’ve been informed that MTV has announced the nominees for the MTV Music Video Awards and “The Dog Days are Over” got nominated four times. On one hand, I was ecstatic for my brother and his success! On the other hand, it means that I’m going to find myself watching MTV in the near future. A fair trade. I guess.
It seems the winners of these shows are done via votes and while Florence is up against the crazy lady with the big nose and the wacky outfits, as well as the angry white rapper who looked so hilariously uncomfortable when performing Letterman’s Top Ten List last month, I thought it couldn’t hurt to ask for at least a couple votes from you guys. Seriously, though, go find that clip of Eminem on Letterman. He did NOT want to be there. It’s amazing.
It’s also nominated for Best Art Direction and Best Cinematography, but those are non-voting categories. They will be decided via games of Pictionary.
In other news, remember that Goldfrapp video he did with the dancing goths? The YouTube comments are so great on it. You have no idea how many people believe it was created by the Illuminati to endorse Satan (so many instances of “Wake up, SHEEPLE!”). I literally had to explain to my brother what the Illuminati even is. Ah, people are funny…
