Archive for the 'reviews' Category

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Cry for Justice #7: When Comics Are God-Fucking-Awful

March 4th, 2010 Posted by Esther Inglis-Arkell

Oh goddamnit.  God.  Damn. It.  Really?  THAT was how you resolved this story about how this time a hero might be right to kill someone?  That plotline has happened in every third Batman arc and every fifth Green Arrow arc for the last fifteen years.  It’s been in at least a few Wonder Woman arcs and even a Superman arc.  And Nightwing.  Also Robin.  The Birds of Prey.  It’s hard to get away from that idea in comics these days.  And to top it off you did it with a hero who has already killed someone, and already dealt with that fact.  What was the point of any of that?

You know, I was going to write a post about how all these dead teens were coming back.  I remembered a couple of years when a guy got up at Wonder-Con and asked Dan Didio if he could stop killing off teenagers because it was ‘creepy’.  And how Didio actually paused, and looked around uncomfortably.  I thought that, what with comics taking a long time to come out and all the teenage heroes springing back to life a year-and-change later, maybe what the guy said was taken to heart.  And how I liked how the new DC had more plotlines than just, “Somebody dies.”

Clearly, though, whoever was in charge decided to switch to even younger kids getting killed.  I guess if Prometheus doesn’t stab a baby through the eye, we might not understand that he’s a bad guy who needs to be stopped.

Killing off a five-year-old that the readers have read about for over a decade so we can see her father’s agony as entertainment.  That’s creepy.  That’s disgusting.  That’s depressing.  That’s stupid.  That’s unnecessary.  That’s nothing like what I want to read.

Why the hell would you do that?

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Garth Ennis’ Most Revealing Moment?

February 26th, 2010 Posted by Esther Inglis-Arkell

Cut, because you might be at work and I’m posting a scan from a freaking Garth Ennis comic.

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Here Comes the Sun?

February 24th, 2010 Posted by Esther Inglis-Arkell

This issue of Wonder Woman ends with something I had just about given up on seeing; sunny skies.

I’ve had to gnash my teeth over Wonder Woman for a long time, now.  She’s a character that I should like, but mostly I don’t.  She’s in a world I should like, but mostly I don’t.

When the book gained Gail Simone as a writer, I was absolutely sure I would like the book, and at the beginning I did.  Then came Genocide, and the Nemesis/Wonder Woman break-up and the slaughtering of pregnant women and the crows, and – I picked up some issues, but I kept putting them down.  It was well-written and well-drawn and the character was interesting, but (despite my last entry here) I couldn’t take any more misery.  I wanted Diana to win something; a fight, a game of chess, a church raffle, a free super-sizing of fries with her happy meal.  Anything. 

And now, for the first time, things are looking up for Diana and the rest of the characters of Wonder Woman.  It feels like a break with the past, and a new, more trimphant era beginning.

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When Amateurs Should Turn Pro

February 23rd, 2010 Posted by Esther Inglis-Arkell

I couldn’t think of what to write for this entry.  First I scanned links on When Fangirls Attack, and Scans Daily, and various news sites, but I couldn’t think of anything I really wanted to write about, so I just clicked random links and googled random things for an hour, until I found myself, once again, reading the-blackcat’s Batman and Sons series.

The Black Cat, posting on deviantart and on livejournal (as the_dark_cat) did a series about Bruce, Dick, Jason, Tim, and baby Terry living together as a family and the wacky domestic adventures they get into.  It’s syrupy and ridiculous.  It runs completely counter to the Batman tone and almost everything that is happening in comics right now, and it is one of my favorite things to read. 

I cannot believe how much I love this series and everything in it.  It’s not just the silly adventures – it’s the artist themself.

This is an example of someone how knows their comics so well that they have clearly gone nuts with it. 

That’s a scene at Chris Kent’s birthday party.  Yes, that’s the Creeper handing out balloons to Jade and some kid I don’t recognize because I don’t know comics as well as this person does.

Later Terry gets into a scuffle with the youngest Arrow kid, not only because in the limited number of strips that The Black Cat has created he has been established as a kind of pushy baby, but there has also been established a feud between the Bats and the Arrows, with the Supers acting as peacekeepers.

Let me put this bluntly:  This is a person who should be hired.  To do this.  Because this is freakin’ fantastic. 

There are in-jokes, there are sharply delineated characters, there are visual gags, there is a sense of timing and flow to the panels, and every strip tells a story.  Some stories are poignant, and some are sweet, and some are mean, and most are funny.  I recognize that this is not everyone’s kind of story, and that it has to lean on the Grim Bat Mythos to stand.  Still, this artist has it all, and is giving it to us in these strips.  I wish they could get paid for it.  And I wish that I could pay for an issue every month.

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Batgirl #7 Play-by-Play

February 11th, 2010 Posted by Esther Inglis-Arkell

As always; Spoilers.

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Location, Location, Location

February 3rd, 2010 Posted by Esther Inglis-Arkell

Spoilers for the latest issue of Red Robin.

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I’m not even reading the Lantern Saga

January 28th, 2010 Posted by Esther Inglis-Arkell

But I love this page with my whole heart.

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The Real Power is Choosing What You Want

January 26th, 2010 Posted by Esther Inglis-Arkell

I remember when this poster first came out.  It was entitled “The Real Power of the DC Universe.” 

I hated it.  Absolutely hated it.  Oh, the women are the real power in the DCU, are they?  Sure they’re not headlining books or saving the day in stories.  Their emotional arcs don’t form the backbone of continuity, and there are no movies about them, and mostly they seem as decorative and unnecessary in the comics as they do in that poster, but they’re the real power in the DCU.

It reminded me of all the condescending crap that women have been tossed for a long time – that they have all the power because they can be sexy.  They have all the power because they can be feminine.  Just because all that power depends on pleasing other people, and all that power can be taken away in a heartbeat, that doesn’t mean that women aren’t the real power.

When David posted about Benes doing the art for Birds of Prey earlier this month, I felt some flickerings of that old irritation.  Rather than festering, though, as much of my irritation does; it passed away pretty quickly.

Here’s why:

I can go to the shelf and buy Detective Comics, which have a grittiness that, in my opinion, often clashes with the almost surreal artwork of JH Williams.  And there will be a Renee Montoya back-up, with an art style that matches up better, but a more conventional story.

Or I can buy that confection of a comic book, Power Girl, and laugh at the stories and try to find the cat in every issue.

Or I can buy Wonder Woman, although I can only read it when I’m not feeling depressed because, come on, can’t Wondy chalk up *one* in the win column?  She and everyone else in the comic have been kicked down and down and down since the third issue.

Or I can buy Batgirl, because it has two characters I love in a relatively by-the-numbers coming-of-age superhero story, and one character I despise making things interesting.

Or I can buy Supergirl, although its embroiled in a massive crossover continuity nightmare.  I liked the kids mini-series of it much better.

Pretty soon I’ll be able to buy Birds of Prey, the funny, soapy, wildly varied team book.

I could even buy that abomination, Gotham City Sirens, although I never will.  Ever.

And of course, if I have a few extra dollars I’m willing to throw away, I can buy the Streets of Gotham series, rip out the first 22 pages, and find Kate Spencer in a kind of Law & Order: Superheroes Unit comic.

I can find funny books starring women, and sexy books starring women, and dark books starring women, and kid’s books starring women.  I can like some of the books for the story, and some for the tone, and some for the characters, and some for the writer.

There are a bunch of books about women out there.  If I’m reading DC I can choose, out of that bunch of books, the ones the ones that suit my taste at the moment.  It was not always so.  I like, very much, that it has changed.

Which is not to say that there can’t be improvements.  There are a lot of books that are lead by female characters, but the percentage isn’t half.  Yet.  Almost all the characters are white, straight, young, and are drawn so that they are exceptionally easy on the eyes first, and characters second.  And if there is never again a story that mentions, contains, threatens, or even alludes to a rape, it will be too soon.  However, being able to pick and choose, not having to search the shelves for female characters, not feeling like I have to support that one book that has a female lead, having a selection presented to me and comparing, contrasting, and finally choosing what I like; I enjoy this feeling.   It feels like real power.

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From the Outside

January 24th, 2010 Posted by Esther Inglis-Arkell

I was interested in Graeme McMillan’s review of Human Target.  He comes to the conclusion that pretty much everyone else I’ve talked to did; it’s an okay show, but it’s nothing even remotely like the comic book.  Although the commenters on io9 seemed to take it pretty well, I’m wondering how fans who are more invested in the comic would take it.

I wonder this for two reasons:

1.  It’s really not an okay show.  It’s a drinking game kind of show.  One drink for every time Chance pauses in the middle of an action sequence to make a big production of being the coolest guy on earth.  One drink for every time Chance’s boss is humiliated.  One drink for every time Guerrero looks at someone with his steely eyes and they back down for no reason because he is just.  That.  Dangerous.  It’s only a show you watch if nothing, nothing at all, else is on and you’re too tired to focus on anything else.

2.  Most of the time I am the one who gets angry when this kind of thing happens, and now someone else will be angry instead.  Once such a large amount of you gets invested in comics, it’s nice to sit on the sidelines with popcorn and watch the drama unfold.

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According to Taste

January 16th, 2010 Posted by Esther Inglis-Arkell

Spoilers for Adventure Comics #6

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